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Foote Control Systems P3S ME (Class A Output Version)

Foote Control Systems P3S ME (Class A Output Version)
3.299,00 € *

Preise inkl. gesetzlicher MwSt. inkl. Versandkosten

Lieferzeit: kurzfristig lieferbar, ca. 2 - 5 Werktage

  • AT-10484
Foote Control Systems P3S ME - Stereo Mastering Compressor Class A Output Version "The... mehr
Produktinformationen "Foote Control Systems P3S ME (Class A Output Version)"

Foote Control Systems P3S ME - Stereo Mastering Compressor

Class A Output Version

"The P3S stereo compressor mastering edition is an all in one box of compression awesomeness."

Switch between feedforward and feedback topology, different automatic time constants for nearly-mindless operation, tailor the audio yourself with variable attack and release controls, engage multiple (or all) functions at once for new and interesting compression effects, or leave all buttons out for teeth-grinding distortion.

Combine all of this with a pristine audio path and great metering, and you're left with the Foote Control Systems P3S.

Differences between this and the main unit include a higher-grade external power supply, different ratios, smaller gain range and a transformer-balanced output (switchable). You can also buy a transformerless version as well if you really want one, just let us know."

Designed to be used in mastering applications. All parameters are tailored to the needs of the mastering engineer who wants the best in analog outboard dynamic processing. 

The P3S ME boasts smooth sound and predictable control for easy, quick setup. The audio path of the P3S ME was meticulously crafted using the finest available analog components

Features:

 

  • Pristine, all analog audio path
  • Fully balanced audio I/O on gold plated Neutrik XLR connectors
  • Switchable Cinemag output transformers
  • Custom Stepped Goldpoint controls on Threshold, Makeup and Gain controls.
  • High quality conductive plastic potentiometers on Attack and Release controls.
  • Gold plated switch contacts
  • A/R Mode that allows the user to custom tailor attack and release times
  • N/L mode that automatically adjusts time constants using program material content
  • RMS Mode that uses the human ear's responses as a compression model
  • A high pass filter, -6dB @ 80Hz before the detector to limit how much low frequencies contribute to overall compression shape
  • External sidechain inputs on 1/4" TS connectors (unbalanced)
  • Threshold range from -8dB to +15dB @ 4:1 Ratio
  • Ratio range from 1:1 through 4:1
  • Makeup gain range from 0dB to +11.5dB
  • Fast LED metering to display the gain reduction of the compressor.
  • Maximum ouput level of +25dBu
  • Phantom power protected output structure.
  • Input Impedance: 20K Ohms balanced, 10K Ohms unbalanced
  • Output impedance: 50 Ohms
  • Output automatically configures itself for balanced or unbalanced loads. (Pin 3 must be grounded during use with unbalanced inputs)

 

  • Threshold -8 dB to +15 dB in 1 dB steps
  • Ratio 1:1 to 4:1
  • Gain 0 dB to +11.5 dB in 0.5 dB steps
  • Metering 0.25-5 dB in 0.25 dB steps dB steps
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